Current exhibition at milton keynes midsummer place flyer
Phoresis (indicating a transmission) installation view Midsummer Place Milton Keynes part of MKFringe 2010
Phoresis (indicating a transmission) installation view Midsummer Place Milton Keynes part of MKFringe 2010
Phoresis (indicating a transmission) installation view Midsummer Place Milton Keynes part of MKFringe 2010
Phoresis (indicating a transmission) installation view Midsummer Place Milton Keynes part of MKFringe 2010
Phoresis (indicating a transmission) installation view Midsummer Place Milton Keynes part of MKFringe 2010
Phoresis installation view as part of Global Village Alkmaar Holland
Phoresis installation view as part of Global Village Alkmaar Holland
Phoresis installation view as part of Global Village Alkmaar Holland
phoresis installation view at Global Village Alkmaar Holland
installation view at the NCN lacemarket gallery Nottingham
installation at the NCN lacemarket gallery
installation view at the NCN lacemarket gallery
installation view at the NCN lacemarket gallery Nottingham
the pretenders 1 acrylic on canvas 60x40cm
The pretenders 2 acrylic on canvas 60x40cm
vphase1 acrylic on canvas 60x40cm
vphase2 acrylic on canvas 60cmx40cm
the pretender 3 200cmx150cm acrylic watercolour hand painted photograph
kick in the knackers acrylic on canvas 100cmx 60cm
no space for business acrylic on canvas 40cmx40cm
lost in spaces 1 acylic watercolour and hand painted photograph 150cmx 75cm
russian couch patrol acrylic watercolour and painted photograph 150cmx75cm
The Garden Of Modern Delights reveals our warped utopia
“Nicholas Wright has a thing about the media. Previous works have shown TV sets raining from the sky or pouring from cracks in walls like a technological plague.
His latest spin on the idea takes its title from Hieronymus Bosch’s medieval visions of hell, which in Wright’s hands become endlessly mutating ink and watercolour drawings showing patches of grass strewn with CDs, games consoles and TV screens; the detritus of modern media turning into the weeds of an unnatural landscape. Bodies found in the chaos might be read as optimistic hints of human survival, but more likely stand for the last remnants of our humanity sinking into a hellish circle unimagined even by Bosch“
by WAYNE BURROWS, METRO- Tuesday, August 5, 2008
exact link to article here: www.metro.co.uk
Gallery installation shots for the Garden of Modern Delights
more information about harrington mills studios exhibition
space here http://harringtonmillstudios.co.uk
Love the display in Midsummer Place.